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Behringer FBQ1000 Feedback Destroyer
Behringer FBQ1000 Feedback Destroyer
The Behringer FBQ1000 Feedback Destroyer is a professional two-channel feedback suppression processor designed to eliminate unwanted microphone feedback in live sound systems. It automatically detects problematic frequencies and applies precise notch filters, helping improve system volume, clarity, and stability without significantly affecting the original tone.
With up to 24 programmable FBQ filters, the FBQ1000 can be used for front-of-house PA systems, stage monitors, churches, conferences, schools, entertainment venues, and public-address installations. It includes automatic, single-shot, and manual operating modes for flexible control during system setup and live performance.
Key features
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Two-channel automatic feedback suppression.
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Up to 24 narrow-band FBQ filters.
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Ultra-fast feedback detection and correction.
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Automatic, single-shot, and manual filter modes.
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Integrated parametric equalizer functions.
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Balanced XLR and ¼-inch TRS inputs and outputs.
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24-bit digital processing.
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20 Hz–20 kHz frequency response.
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MIDI In, Out, and Thru connections.
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Standard 1U rack-mount design
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dbx 234XL Professional Audio Crossover,
The secret to making speakers sound great lies with the crossover you use. With the dbx® 234xs Crossover you’ll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world’s finest processors. The 234xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 234xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound.
The dbx 234xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid “click” controls to the high quality XLR inputs and outputs.
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